The triangular end is what’s pushed into the clay to write like this. I suppose there’s a limit to how deep you can go, but I bet that with enough practice, a reader could tell the difference between consistently shallow and deep impressions. Pressing really hard into the clay might be the same as adding emphasis.
Although, I like your version of just using a bigger hunk of ceramic to make a point. You have to wait longer for it to dry and it’s heavier to transport. It’s like saying “by the time you get this, I’ve already been pretty mad for about a week.”
Possibly? I’m not an archaeologist.
The triangular end is what’s pushed into the clay to write like this. I suppose there’s a limit to how deep you can go, but I bet that with enough practice, a reader could tell the difference between consistently shallow and deep impressions. Pressing really hard into the clay might be the same as adding emphasis.
Although, I like your version of just using a bigger hunk of ceramic to make a point. You have to wait longer for it to dry and it’s heavier to transport. It’s like saying “by the time you get this, I’ve already been pretty mad for about a week.”